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Storyboard pro tutorial7/30/2023 ![]() Looks like I'm drawing, maybe on a textured piece of paper. ![]() Much tighter edge, just a little softer than what we saw on some other options, but nice totally black line. We'll grab the ink brush, make that nice and large. A nice dark, almost black, not quite line. So let's zoom in again, so we can see the line really nicely. I'm going to go to our first type of preset, which is a soft lead. Which is one with a blue line on the left of my layer list. Alright, so let's go to the next panel here. And then when I zoom out, you can see the difference here of how the brush lines work. See how that also gets darker as I keep working over it and over it. Again, these are all of our vector brushes here that we can work with. And if I start working over it, notice it's going to start getting darker. And I want to make the chalk line thicker. So it's kind of like using a felt tip marker, an art marker of some sort. And if I start crossing the line, notice it gets darker and darker as I keep working over it. And as I work it, notice it's going to get darker and darker. Okay, so brush one, nice solid black line, nice solid edges on a line. So I'm going to zoom in, just using my fingers here, because I'm on a (mumbles), I'll select brush one. That's the one with the gray line on the side. The way we're going to see vector brushes, is selecting our pencil or brush icon, and then making sure that under our layers, we're on a vector layer. Now I'm going to start here with our vector brushes. Some of them are great for drawing, and others can be used for certain effects, So, let's take a look at various brushes that we've got to work with. Now, starting with version 5 of Storyboard Pro, we have many more brush presets to work with. Some prefer a solid vector line, while others like me, prefer a softer pencil-like line. Images often have a foreground, middle ground and background layer.- All artists prefer a different variety of digital brush tips when they draw. It helps to establish a sense of location, while also adding an element of depth to your images. Layering is the process of setting up subjects within different layers of a frame. ![]() The image on the left shows a long shot, with the image on the right showing a close-up. Too much of the same thing will quickly become dull and repetitive. Don’t upstage your characterĪdding in staging elements and color helps convey the mood you're after, but shouldn’t distract from the story. Look at your scenes without any detailed linework, and you'll quickly discover whether or not your action is understandable. Silhouetting a character can be a helpful way to see if your shots make sense. Morning is more optimistic, whereas late evening can suggest urgency or suspense. Setting a scene during a particular time of day will evoke a feeling in your audience. ![]() Here are a few things to consider: Choose a time of day What mood do you want your piece to have, and how can you communicate it? Framing, color, and video transition effects are all great ways to amplify emotion that might be missing from the script. Now that you've finalised your storyboard, it's the perfect time to consider subtler visual cues. Looking for storyboard inspiration? Check out our favorite storyboard examples. ![]()
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